'용어사전'에 해당되는 글 3건

  1. 2012.09.10 환등기
  2. 2012.05.08 Plato’’s Theaetetus
  3. 2012.01.30 Apocalyptic Defined

환등기

용어사전 2012. 9. 10. 20:31

구한말 외국인 공간 : 정동

환등기

상세설명

활동사진(活動寫眞) 즉 영화의 위력에는 전혀 못 미치지만, 이에 못지않은 신기한 영상매체로 환영받은 대상은 환등기(幻燈機, 슬라이드)였다. 얼마전까지도 학교수업에서 시청각자료로도 즐겨 사용되어 왔던 슬라이드는 영화에 비해서는 정지영상에 불과하나, 복잡한 기계장치가 필요하지 않고 이동에도 매우 간편하였으므로 아주 오랜 시간에 걸쳐 여러 방면에서 많은 사랑을 받았다고 할 수 있다. 

이러한 점 때문이겠지만, 슬라이드는 주로 계몽활동이나 강연과 선전과 교육의 도구로 자주 활용되기도 하였다. 이와 아울러 영화의 보조수단으로 스크린에 슬라이드를 비춰주는 일도 허다하였던 것이다.

그렇다면 이러한 환등기 장치가 우리 나라에 처음 소개된 때는 언제였을까

이에 관해서는 일찍이 <황성신문> 1899년 12월 22일자에 게재된 '일요환등(日曜幻燈)'이라는 제목의 기사가 눈에 띈다.

"영국인(英國人) 뱃콕씨(氏)가 거일요석(去日曜夕)에 흥화학교 주야학원(興化學校 晝夜學員)을 낙동본제(駱洞本第)에 초청(招請)하야 다과(茶果)를 접대(接待)하고 환등방(幻燈房)을 개설(開設)하였는데 차후(此後)에는 매일요석(每日曜夕)에 동씨(同氏)가 해교제학원(該校諸學員)을 초청(招請)하야 환등방(幻燈房)을 제시(提示)한다더라."

그리고 <황성신문> 1900년 12월 5일자에는 '덕교환등회(德校幻燈會)'라는 내용도 수록되어 있다. 여기에서 말하는 덕교(德校)는 덕어학교(德語學校, 독일어학교)를 가리키는 표현이다.

"금일(今日) 하오(下午) 6시(時)에 덕어학교교사 불야안씨(佛耶安氏)가 덕공사(德公使)와 각부대관(各部大官)을 해교(該校)로 청(請)하야 환등회(幻燈會)를 행(行)할 터이라더라."

여기에서 보듯이 1899년 이후 환등회 관련기사는 드물지 않게 찾아낼 수 있다. 아직 활동사진이 등장하기 이전의 일인지라, '경이로운' 화면에 나름으로 큰 호응을 얻고 있음을 엿볼 수 있다.

그런데 환등기는 이것보다 훨씬 앞선 시기에 이미 국내에서 첫 선을 보였던 것으로 확인된다.

일찍이 의료선교사로 우리 나라에 들어와 시병원과 이화학당의 설립에 기여한 스크랜튼(William B. Scranton, 施蘭敦, 時奇蘭敦; 1856~1922)이 1887년 4월 17일에 작성한 서한에 다음과 같은 내용이 나온다.

" ...... 겨울이 끝날 무렵 외서(外署)의 관리인 어머님의 통역관은 어머님에게 와서 독판(督辦)과 그 관료들에게 초대장을 보내야한다고 간절히 바랐습니다. 이에 대해 어머님은 한동안 주저하였으나 우리가 안면 있는 사람을 필요로 하는 한국에서는 이러한 방법이 관례라는 것을 알게 되었고, 또한 외서 독판과 그밖의 사람들이 그녀의 집을 둘러보고 스크랜튼 부인의 일하는 목적을 좀 더 확실히 알기를 희망하였으므로 끝내는 그렇게 동의하였습니다. 초대장을 띄웠는데 통역관의 중개에 의해 그들의 초청이 어느 날 밤으로 정해졌습니다. 물론 접대를 성공적으로 하기 위해 만반의 준비를 했습니다. 독판과 그 밑의 관료 4명 가운데 3명이 왔습니다. ...... 부인의 일을 돕기 위해 미국의 한 선교지부에서 친절히 보내는 환등기로 미국과 유럽과 성경의 여러 장면을 보여주었습니다. 이러한 사진들은 우리 모두를 지치게 만들었습니다. 서울에 있는 모든 사람들이 너무나도 이 사진들을 보고자 하였으며 몇번식 보고도 관심이 시들 줄 몰랐습니다. 이날밤 문제의 손님들은 매우 즐거웠던 것 같았습니다. ...... 그가 국왕에게 건의하면서 끊임없이 이 일을 위해 노력하고 있다고 그 후 종종 들었습니다. 몇 주일 후 국왕은 적당하다고 생각하는 이름 하나를 학교를 위해 고르셨습니다. 국왕은 우리 서양인들의 사고방식으로는 다소 화려한 이화학당(梨花學堂)이라는 이름을 외서에 명하여 한자를 쓰게 하고 이것을 보내왔습니다. ...... 우리 학교에 이것이 도착한 지 며칠 되지 않아 우리와 비슷한 승인과 기수가 아펜젤러씨가 경영하는 학교에도 보내졌습니다. 그리고 몇 주후에 병원에도 비슷한 방식의 승인이 났습니다. 병원의 이름은 번역하기가 다소 어렵지만 시병원(施病院)을 좀더 간결하게 표현한 유니버설 호스피탈(Universal Hospital)이라고 영어로 부르기로 했습니다. (하략)"

이와 아울러 배재학당의 설립자 아펜젤러(Henry G. Appenzeller, 亞扁薛羅; 1858~1902)의 일기에도 이와 비슷한 증언이 수록되어 있다.

"[1887년 2월 21일] 오늘 우리 선교부의 학교 이름을 국왕으로부터 하사받았는데 외부대신을 통해 내게 전달되었다. 그것은 배재학당(혹은 Hall for Rearing Useful Men)이다. 이 문제는 얼마동안 논의되어 왔던 것이다. 얼마 전에 대신은 언더우드 목사의 학교에 대해 묻더니 그 학교도 이름을 가져야 하겠다고 했다. 이런 관심에 힘 입어서 개인교사와 학생 한 명을 보내어 언더우드 목사더러 이리 오라고 했다. 그는 집에 없었다. 나는 그 위에 편지를 보냈는데 답장에 며칠 내로 오겠다고 했다. 이것이 한 달 전의 일이었다. 그 후로 나는 스크랜튼 부인의 집에서 그를 만났는데, 그녀가 자기 집과 '환등기'를 보여 주려고 그를 불렀을 때였다. 그는 그때 다시 며칠 내로 오겠다고 했다. 그는 아직도 여기에 오지 않았다. 오늘 외무부의 서기요 통역관인 김씨(Mr. Kim)가 커다란 한자로 새겨진 학교이름(배재학당)을 가지고 왔다."

현재까지 확인된 바로는, 이것이 우리 나라에서 환등기가 등장하는 최초의 기록들이다. 그러니까 이 환등기는 1887년 이전에 미국의 감리회선교부에서 이화학당의 설립자인 메리 스크랜튼 부인(Mrs. Mary F. Scranton, 施蘭敦 大夫人; 1832~1909) 일행에게 보내준 것이었고, 이것을 구경한 조선의 외부관리들이 환상적인 장면에 매료되어 이들에게 매우 우호적인 태도를 가지는 계기가 되었다는 것이다.

그리하여 결국 1887년 2월 중순 경에 '이화학당'과 '배재학당'이라는 교명과 이를 새긴 편액이 잇달아 내려졌으니, 그 공로는 거의 전적으로 '환등기'의 몫이라고 해야 옳을 것 같다.



[참고자료목록]

- 이화100년사편찬위원회, <이화 100년사 1886~1986> (이화여자고등학교, 1994)
- 경신사편찬위원회, <경신사 1885~1991> (경신중고등학교, 1991)
- 유모토 고이치(湯本豪一)·연구공간 수유+너머 동아시아근대세미나팀, <일본 근대의 풍경> (그린비, 2004)
- <황성신문> 1899년 12월 22일자, "일요환등(日曜幻燈)"
- <황성신문> 1900년 12월 1일자, "퇴정환등회(退定幻燈會)"
- <황성신문> 1900년 12월 5일자, "덕교환등회(德校幻燈會)"
- <제국신문> 1900년 12월 5일자, "덕어학교에서 일전에 환등회를 결행한다 하더니 ......"
- <황성신문> 1901년 10월 25일자, "사설환등(師設幻燈)"

출처 : 문화콘텐츠닷컴
인쇄








환등회 기록 1895년 김윤식
http://www.history.go.kr/url.jsp?ID=NIKH.DB-sa_011_0070_0030_0030

속음청사
續陰晴史 卷七
高宗 32年 乙未 正月~11月(以上 陰曆)
乙未 三月
李鴻章의被槍 對日債款條約 近畿火賊 幻燈戲 柏卓安 日語學堂 齋洞私立學校 佐野前勵 各部官制改正 豫算表
初一日壬申晴佳, 行茶禮, 仕外署, 往唔井上而還, 單蔘湯日再服, 服洋醫止嗽藥, 輪感大熾, 新宅及沁得·福喜, 俱以感冒苦痛, 侍直以贊翊復職, 感祝感祝。 初二日 癸酉陰, 微雨, 仕外署,具禮來談, 聞日前李少荃 (鴻章), 편자주 爲講和, 帶全權使銜, 往日本馬關, 開談幾日, 路上有人放槍, 斜中左頰, 幸不深傷, 然亦爲兩國不幸之事也。 初三日甲戌雨餘峭寒, 仕外署, 赴政府會, 鄭審藥箕營下去便, 付上第三天書。 初五日 丙子晴風, 早赴政府, 姑未會, 轉往貞洞 美館唔談,施逸 公使, 復到政府, 與諸大臣公閱借款約條, 還外署,日本 書記生國分, 與度支主事, 齎約槀來, 蓋外署印, 今番借款,日本政府, 囑銀行, 借我國政府三百萬元, 半銀半紙, 五年爲限, 租稅爲當, 蓋我國, 新經擾亂, 三南·兩四,
<상357>

賦稅無可輸納者, 內外經費, 支撥無術, 故借此巨額於日本者也, 還桂洞, 往觀織造局修理處, 卽日語學堂也, 玄主事來, 與日人敎師吉見正, 適來相唔而歸,印世卿·雲擧來。 初六日 丁丑晴, 空日在家, 素沙以上, 火賊大熾, 道路梗塞, 皆東徒餘黨也。 初七日戊寅晴, 仕外署, 赴政府會, 初八日己卯陰, 微雨, 仕外署,杉村濬來談, 今日腰背痰牽愈甚, 不可耐, 夜熊膽三分重作末和酒服, 肅川生徒便, 承箕營第六天下書。 初九日庚辰晴, 仕外署, 挾痰比昨少可, 淸北全都事秉翼便, 付上第六天書。 初十日 辛巳晴, 余復服粟米飮, 自今日始仕外署, 赴政府會同, 夜, 日人小川實, 與其女近衛及日人井上重雄·小田音吉來, 作幻燈戲, 慶熙川第二子覲行便, 付上箕營第七天書。 十一日壬午晴, 淸明節, 仕外署,翊贊爲寒食節祀, 出往月谷。 十二日 癸未晴風夕陰, 仕外署,總稅司 柏卓安來談, 與高主事義敬, 往南長洞, 訪英醫불덕病院, 余以肩臂痛甚苦, 得藥水一甁而來。 十三日 甲申陰, 微雨,桂洞 織造局, 新開日語學堂, 今日會同, 未初往見, 學徒三十餘人, 敎師日人占貝, 我國各衙官員數十人·日人十餘人, 皆來會演說, 飮酒而罷, 自明日開學,公州 李甥主事秉珪, 來說去年經亂之苦, 聞之辛楚。
<상358>

十四日乙酉晴, 早赴政府會, 還外署,美公使, 與美國艦長兵官軍醫等, 來署。 十五日 丙戌晴, 行焚香, 早赴政府會, 還外署, 往見齋洞私立學校, 今日會同, 此學校知舊子弟多入,龜壽亦參焉, 申正詣闕, 入嘉會亭,美公使, 與艦長等, 陛見, 公故罷後, 回謝貞洞 美館, 轉往英館, 訪禧在明,總稅務司 柏卓安及仁港 英副領事在焉, 同喫晩飯, 侵夜還豐洞,朴彌甥昌孫來, 承姊主安候, 日館函來, 知觀戰一行, 昨發營向第一軍所在之地。 十六日 丁亥晴, 仕外署, 歸路入桂洞, 日人小川實家幻戲燈會, 照像之人亦在焉, 出示日前外衙所搨余之照像及諸官員像, 皆酷逼眞, 可稱良手也,日本日蓮宗佐野前勵及其同來人相見,佐野, 僧人, 而富於財, 欲自費財力, 募我國生徒, 入日本敎育成就也。 十七日戊子晴, 仕外署, 赴政府會,井上馨及內務·度支 顧問官來會, 論地方月俸, 還外署, 觀日語敎師敎習之事, 撥便, 承箕營十二日出第七天書。 十八日己丑晴, 杜鵑始開, 早往貞洞 英·俄·美館, 還仕外署。 十九日庚寅陰雨, 往日館唔井上馨, 還仕外署。 二十日辛卯晴, 辰時洪室順娩生男, 軀幹壯大, 不似新生兒, 向夕往上村安都事鼎遠家, 賞花, 申肅川家專人便, 付上箕營第八天書。 二十一日壬辰晴, 仕外署, 赴政府會, 箕撥回便, 付上第九天書。
<상359>

二十二日癸巳晴, 仕外署, 赴政府會, 詣嘉會亭, 以上候猶未康和, 奏本捧入。 二十三日甲午晴, 仕外署,佐郞自鄕上來, 轉便聞加平李室生女云, 甚悵。 二十四日乙未晴, 仕外署, 赴政府會, 今日井上馨, 與各顧問官, 會議官制新式, 箕營專撥便, 承本月十七日出第八天下書, 雲峴松亭有獄事。 二十五日 丙申晴仕外署, 赴政府, 與諸大臣, 共詣嘉會亭, 入長安堂奏事, 各部官制, 新式定奪, 以四月初一日實施爲期, 各衙門, 改以各部。 二十六日丁酉晴, 箕營吏李允燮回去便, 付上第十天書, 仕外署, 赴政府會。 二十七日 戊戌晴, 仕外署, 赴政府會, 與各顧問官, 議度支豫算表。 二十八日己亥晴, 仕外署, 赴政府會, 今日亦議豫算表, 轉便, 付上箕營書第十一天。 二十九日庚子細雨霏霏, 桃花始開, 仕外署, 赴政府, 今日奏事, 余以眼眚, 不得進,國分象太郞來談美函事,日本僧佐野前勵·澀谷文英, 來談選入學生事。 三十日辛丑晴, 仕外署, 赴政府會。
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Plato’’s Theaetetus

용어사전 2012. 5. 8. 01:30

Plato’’s Theaetetus

platoThe Theaetetus is one of the middle to later dialogues of the ancient Greek philosopher Plato. Plato was Socrates’ student and Aristotle’s teacher. As in most of Plato’s dialogues, the main character is Socrates. In the Theaetetus, Socrates converses with Theaetetus, a boy, and Theodorus, his mathematics teacher. Although this dialogue features Plato’s most sustained discussion on the concept of knowledge, it fails to yield an adequate definition of knowledge, thus ending inconclusively. Despite this lack of a positive definition, the Theaetetus has been the source of endless scholarly fascination. In addition to its main emphasis on the nature of cognition, it considers a wide variety of philosophical issues: the Socratic Dialectic, Heraclitean Flux, Protagorean Relativism, rhetorical versus philosophical life, and false judgment. These issues are also discussed in other Platonic dialogues.

The Theaetetus poses a special difficulty for Plato scholars trying to interpret the dialogue: in light of Plato’s metaphysical and epistemological commitments, expounded in earlier dialogues such as the Republic, the Forms are the only suitable objects of knowledge, and yet theTheaetetus fails explicitly to acknowledge them. Might this failure mean that Plato has lost faith in the Forms, as the Parmenides suggests, or is this omission of the Forms a calculated move on Plato’s part to show that knowledge is indeed indefinable without a proper acknowledgement of the Forms? Scholars have also been puzzled by the picture of the philosopher painted by Socrates in the digression: there the philosopher emerges as a man indifferent to the affairs of the city and concerned solely with “becoming as much godlike as possible.” What does this version of the philosophic life have to do with a city-bound Socrates whose chief concern was to benefit his fellow citizens? These are only two of the questions that have preoccupied Plato scholars in their attempt to interpret this highly complex dialogue.

Table of Contents

  1. The Characters of Plato’s Theaetetus
  2. Date of Composition
  3. Outline of the Dialogue
    1. Knowledge as Arts and Sciences (146c – 151d)
    2. Knowledge as Perception (151d – 186e)
    3. Knowledge as True Judgment (187a – 201c)
    4. Knowledge as True Judgment with Logos (201c – 210d)
  4. References and Further Reading
    1. General Commentaries
    2. Knowledge as Arts and Sciences
    3. Knowledge as Perception
    4. Knowledge as True Judgment
    5. Knowledge as True Judgment with Logos

1. The Characters of Plato’s Theaetetus

In the Theaetetus, Socrates converses with two mathematicians, Theaetetus and Theodorus. Theaetetus is portrayed as a physically ugly but extraordinarily astute boy, and Theodorus is his mathematics teacher. According to the Oxford Classical Dictionary, Theaetetus lived in Athens (c. 415–369 BCE) and was a renowned geometer. He is credited with the theory of irrational lines, a contribution of fundamental importance for Euclid’s Elements X. He also worked out constructions of the regular solids like those in Elements XIII. Theodorus lived in Cyrene in the late fifth century BCE. In the dialogue, he is portrayed as a friend of Protagoras, well-aware of the Sophist’s teachings, and quite unfamiliar with the intricacies of Socratic Dialectic. As far as his scientific work is concerned, the only existing source is Plato’s Theaetetus: In the dialogue, Theodorus is portrayed as having shown the irrationality of the square roots of 3, 5, 6, 7, … ,17.  Irrational numbers are numbers equal to an ordinary fraction, a fraction that has whole numbers in its numerator and denominator. The passage has been interpreted in many different ways, and its historical accuracy has been disputed.

2. Date of Composition

The introduction of the dialogue informs the reader that Theaetetus is being carried home dying of wounds and dysentery after a battle near Corinth. There are two known battles that are possibly the one referred to in the dialogue: the first one took place at about 394 BCE, and the other occurred at around 369 BCE. Scholars commonly prefer the battle of 369 BCE as the battle referred to in the dialogue. The dialogue is a tribute to Theaetetus’ memory and was probably written shortly after his death, which most scholars date around 369 – 367 BCE. It is uncontroversial that the Theaetetus, the Sophist and theStatesman were written in that order. The primary evidence for this order is that the Sophist begins with a reference back to the Theaetetus and a reference forward to the Statesman. In addition, there is a number of thematic continuities between the Theaetetus and the Sophist (for instance, the concept of “false belief,” and the notions of “being,” “sameness,” and “difference”) and between the Sophist and theStatesman (such as the use of the method of “collection and division”).

3. Outline of the Dialogue

The dialogue examines the question, “What is knowledge (episteme)?” For heuristic purposes, it can be divided into four sections, in which a different answer to this question is examined: (i) Knowledge is the various arts and sciences; (ii) Knowledge is perception; (iii) Knowledge is true judgment; and (iv) Knowledge is true judgment with an “account” (Logos). The dialogue itself is prefaced by a conversation between Terpsion and Euclid, in the latter’s house in Megara. From this conversation we learn about Theaetetus’ wounds and impending death and about Socrates’ prophecy regarding the future of the young man. In addition, we learn about the dialogue’s recording method: Euclid had heard the entire conversation from Socrates, he then wrote down his memoirs of the conversation, while checking the details with Socrates on subsequent visits to Athens. Euclid’s role did not consist simply in writing down Socrates’ memorized version of the actual dialogue; he also chose to cast it in direct dialogue, as opposed to narrative form, leaving out such connecting sentences as “and I said” and “he agreed.” Finally, Euclid’s product is read for him and for Terpsion by a slave. This is the only Platonic dialogue which is being read by a slave.

a. Knowledge as Arts and Sciences (146c – 151d)

To Socrates’ question, “What is knowledge?,” Theaetetus responds by giving a list of examples of knowledge, namely geometry, astronomy, harmonics, and arithmetic, as well as the crafts or skills (technai) of cobbling and so on (146c–d). These he calls “knowledges,” presumably thinking of them as the various branches of knowledge. As Socrates correctly observes, Theaetetus’ answer provides a list of instances of things of which there is knowledge. Socrates states three complaints against this response: (a) what he is interested in is the one thing common to all the various examples of knowledge, not a multiplicity of different kinds of knowledge; (b) Theaetetus’ response is circular, because even if one knows that, say, cobbling is “knowledge of how to make shoes,” one cannot know what cobbling is, unless one knows what knowledge is; (c) The youth’s answer is needlessly long-winded, a short formula is all that is required. The definition of clay as “earth mixed with water,” which is also evoked by Aristotle in Topics 127a, is representative of the type of definition needed here. Theaetetus offers the following mathematical example to show that he understands Socrates’ definitional requirements: the geometrical equivalents of what are now called “surds” could be grouped in one class and given a single name (“powers”) by dint of their common characteristic of irrationality or incommensurability. When he tries to apply the same method to the question about knowledge, however, Theaetetus does not know how to proceed. In a justly celebrated image, Socrates, like an intellectual midwife, undertakes to assist him in giving birth to his ideas and in judging whether or not they are legitimate children. Socrates has the ability to determine who is mentally pregnant, by knowing how to use “medicine” and “incantations” to induce mental labor. Socrates also has the ability to tell in whose company a young man may benefit academically. This latter skill is not one that ordinary midwives seem to have, but Socrates insists that they are the most reliable matchmakers, and in order to prove his assertion he draws upon an agricultural analogy: just as the farmer not only tends and harvests the fruits of the earth, but also knows which kind of earth is best for planting various kinds of seed, so the midwife’s art should include a knowledge of both “sowing” and “harvesting.” But unlike common midwives, Socrates’ art deals with the soul and enables him to distinguish and embrace true beliefs rather than false beliefs. By combining the technê of the midwife with that of the farmer, Socrates provides in the Theaetetus the most celebrated analogy for his own philosophical practice.

b. Knowledge as Perception (151d – 186e)

Encouraged by Socrates’ maieutic intervention, Theaetetus comes up with a serious proposal for a definition: knowledge is perception. Satisfied with at least the form of this definition, Socrates immediately converts it into Protagoras’ homo-mensura doctrine, “Man is the measure of all things, of the things that are that [or how] they are, of the things that are not that [or how] they are not.” The Protagorean thesis underscores the alleged fact that perception is not only an infallible but also the sole form of cognition, thereby bringing out the implicit assumptions of Theaetetus’ general definition. Socrates effects the complete identity between knowledge and perception by bringing together two theses: (a) the interpretation of Protagoras’ doctrine as meaning “how things appear to an individual is how they are for that individual” (e.g., “if the wind appears cold to X, then it is cold for X”); and (b) the equivalence of “Y appears F to X” with “X perceives Y as F” (e.g., “the wind appears cold to Socrates” with “Socrates perceives the wind as cold”). His next move is to build the ontological foundation of a world that guarantees perceptual infallibility. For that, Socrates turns to the Heraclitean postulate of Radical Flux, which he attributes to Protagoras as his Secret Doctrine. Nearly all commentators acknowledge that Protagoras’ secret teaching is unlikely to be a historically accurate representation of either Protagoras’ ontological commitments or Heraclitus’ Flux doctrine. The notion of Universal Flux makes every visual event—for example the visual perception of whiteness—the private and unique product of interaction between an individual’s eyes and an external motion. Later this privacy is explained with the metaphor of the perceiver and the perceived object as parents birthing a twin offspring, the object’s whiteness and the subject’s corresponding perception of it. Both parents and offspring are unique and unrepeatable: there can be no other, identical interaction between either the same parents or different parents able to produce the same offspring. No two perceptions can thus ever be in conflict with each other, and no one can ever refute anyone else’s perceptual judgments, since these are the products of instantaneous perceptual relations, obtaining between ever-changing perceiving subjects and ever-changing perceived objects. Although the assimilation of Protagorean Relativism to Theaetetus’ definition requires the application of the doctrine to Perceptual Relativism—which explains Socrates’ extensive focus on the mechanics of perception—one should bear in mind that the man-as-measure thesis is broader in scope, encompassing all judgments, especially judgments concerning values, such as “the just” and “the good,” and not just narrowly sensory impressions. Socrates launches a critique against both interpretations of Protagoreanism, beginning with its broad—moral and epistemological—dimensions, and concluding with its narrow, perceptual aspects.

Socrates attacks broad Protagoreanism from within the standpoint afforded him by three main arguments. First, Socrates asks how, if people are each a measure of their own truth, some, among whom is Protagoras himself, can be wiser than others. The same argument appears in Cratylus 385e–386d as a sufficient refutation of the homo-mensura doctrine. The Sophists’ imagined answer evinces a new conceptualization of wisdom: the wisdom of a teacher like Protagoras has nothing to do with truth, instead it lies in the fact that he can better the way things appear to other people, just as the expert doctor makes the patient feel well by making his food taste sweet rather than bitter, the farmer restores health to sickly plants by making them feel better, and the educator “changes a worse state into a better state” by means of words (167a).

The second critique of Protagoras is the famous self-refutation argument. It is essentially a two-pronged argument: the first part revolves around false beliefs, while the second part, which builds on the findings of the first, threatens the validity of the man-as-measure doctrine. The former can be sketched as follows: (1) many people believe that there are false beliefs; therefore, (2) if all beliefs are true, there are [per (1)] false beliefs; (3) if not all beliefs are true, there are false beliefs; (4) therefore, either way, there are false beliefs (169d–170c). The existence of false beliefs is inconsistent with the homo-mensuradoctrine, and hence, if there are false beliefs, Protagoras’ “truth” is false. But since the homo-mensuradoctrine proclaims that all beliefs are true, if there are false beliefs, then the doctrine is manifestly untenable. The latter part of Socrates’ second critique is much bolder—being called by Socrates “the most subtle argument”—as it aims to undermine Protagoras’ own commitment to relativism from within the relativist framework itself (170e–171c). At the beginning of this critique Socrates asserts that, according to the doctrine under attack, if you believe something to be the case but thousands disagree with you about it, that thing is true for you but false for the thousands. Then he wonders what the case for Protagoras himself is. If not even he believed that man is the measure, and the many did not either (as indeed they do not), this “truth” that he wrote about is true for no one. If, on the other hand, he himself believed it, but the masses do not agree, the extent to which those who do not think so exceed those who do, to that same extent it is not so more than it is so. Subsequently, Socrates adds his “most subtle” point: Protagoras agrees, regarding his own view, that the opinion of those who think he is wrong is true, since he agrees that everybody believes things that are so. On the basis of this, he would have to agree that his own view is false. On the other hand, the others do not agree that they are wrong, and Protagoras is bound to agree, on the basis of his own doctrine, that their belief is true. The conclusion, Socrates states, inevitably undermines the validity of the Protagorean thesis: if Protagoras’ opponents think that their disbelief in the homo-mensura doctrine is true and Protagoras himself must grant the veracity of that belief, then the truth of the Protagorean theory is disputed by everyone, including Protagoras himself.

In the famous digression (172a–177c), which separates the second from the third argument against broad Protagoreanism, Socrates sets up a dichotomy between the judicial and the philosophical realm: those thought of as worldly experts in issues of justice are blind followers of legal practicalities, while the philosophical mind, being unrestricted by temporal or spatial limitations, is free to investigate the true essence of justice. Civic justice is concerned with the here-and-now and presupposes a mechanical absorption of rules and regulations, whereas philosophical examination leads to an understanding of justice as an absolute, non-relativistic value. This dichotomy between temporal and a-temporal justice rests on a more fundamental conceptual opposition between a civic morality and a godlike distancing from civic preoccupations. Godlikeness, Socrates contends, requires a certain degree of withdrawal from earthly affairs and an attempt to emulate divine intelligence and morality. The otherworldliness of the digression has attracted the attention of, among others, Aristotle, in Nicomachean Ethics X 7, andPlotinus, who in Enneads I 2, offers an extended commentary of the text.

In his third argument against broad Protagoreanism, Socrates exposes the flawed nature of Protagoras’ definition of expertise, as a skill that points out what is beneficial, by contrasting sensible properties—such as hot, which may indeed be immune to interpersonal correction—and values, like the good and the beneficial, whose essence is independent from individual appearances. The reason for this, Socrates argues, is that the content of value-judgments is properly assessed by reference to how things will turn out in the future. Experts are thus people who have the capacity to foresee the future effects of present causes. One may be an infallible judge of whether one is hot now, but only the expert physician is able accurately to tell today whether one will be feverish tomorrow. Thus the predictive powers of expertise cast the last blow on the moral and epistemological dimensions of Protagorean Relativism.

In order to attack narrow Protagoreanism, which fully identifies knowledge with perception, Socrates proposes to investigate the doctrine’s Heraclitean underpinnings. The question he now poses is: how radical does the Flux to which the Heracliteans are committed to must be in order for the definition of knowledge as perception to emerge as coherent and plausible? His answer is that the nature of Flux that sanctions Theaetetus’ account must be very radical, indeed too radical for the definition itself to be either expressible or defensible. As we saw earlier, the Secret Doctrine postulated two kinds of motion: the parents of the perceptual event undergo qualitative change, while its twin offspring undergoes locomotive change. To the question whether the Heracliteans will grant that everything undergoes both kinds of change, Socrates replies in the affirmative because, were that not the case, both change and stability would be observed in the Heraclitean world of Flux. If then everything is characterized by all kinds of change at all times, what can we say about anything? The answer is “nothing” because the referents of our discourse would be constantly shifting, and thus we would be deprived of the ability to formulate any words at all about anything. Consequently, Theaetetus’ identification of knowledge with perception is deeply problematic because no single act can properly be called “perception” rather than “non perception,” and the definiendum is left with no definiens.

After Socrates has shown that narrow Protagoreanism, from within the ontological framework of radical Heracliteanism, is untenable, he proceeds to reveal the inherent faultiness of Theaetetus’ definition of knowledge as perception. In his final and most decisive argument, Socrates makes the point that perhaps the most basic thought one can have about two perceptible things, say a color and a sound, is that they both “are.” This kind of thought goes beyond the capacity of any one sense: sight cannot assess the “being” of sound, nor can hearing assess that of color. Among these “common” categories, i.e., categories to which no single sensual organ can afford access, Socrates includes “same,” “different,” “one,” and “two,” but also values, such as “fair” and “foul.” All of these are ascertained by the soul through its own resources, with no recourse to the senses. Theaetetus adds that the soul “seems to be making a calculation within itself of past and present in relation to future” (186b). This remark ties in with Socrates’ earlier attribution to expertise of the ability to predict the future outcome of present occurrences. But it also transcends that assertion in the sense that now a single unified entity, the soul, is given cognitive supremacy, in some cases with the assistance of the senses whereas in other cases the soul “itself by itself.” Perception is thus shown to be an inadequate candidate for knowledge, and the discussion needs to foreground the activity of the soul when “it is busying itself over the things-which-are” (187a). The name of that activity is judging, and it is to this that the second part of the conversation now turns.

c. Knowledge as True Judgment (187a – 201c)

While true judgment, as the definiens of knowledge, is the ostensible topic of the discussants’ new round of conversation, the de facto topic turns out to be false judgment. Judgment, as the soul’s internal reasoning function, is introduced into the discussion at this juncture, which leads Theaetetus to the formulation of the identification of knowledge with true judgment. But Socrates contends that one cannot make proper sense of the notion of “true judgment,” unless one can explain what a false judgment is, a topic that also emerges in such dialogues as EuthydemusCratylusSophistPhilebus, and Timaeus. In order to examine the meaning of “false judgment,” he articulates five essentially abortive ways of looking at it: (a) false judgment as “mistaking one thing for another” (188a–c); (b) false judgment as “thinking what is not” (188c–189b); (c) false judgment as “other-judgment” (189b–191a); (d) false judgment as the inappropriate linkage of a perception to a memory – the mind as a wax tablet (191a–196c); and (e) potential and actual knowledge – the mind as an aviary (196d–200c).

The impossibility of false judgment as “mistaking one thing for another” is demonstrated by the apparent plausibility of the following perceptual claim: one cannot judge falsely that one person is another person, whether one knows one of them, or both of them, or neither one nor the other. The argument concerning false judgment as “thinking what is not” rests on an analogy between sense-perception and judgment: if one hears or feels something, there must be something which one hears or feels. Likewise, if one judges something, there must be something that one judges. Hence, one cannot judge “what is not,” for one’s judgment would in that case have no object, one would judge nothing, and so would make no judgment at all. This then cannot be a proper account of false judgment. The interlocutors’ failure prompts a third attempt at solving the problem: perhaps, Socrates suggests, false judgment occurs “when a man, in place of one of the things that are, has substituted in his thought another of the things that are and asserts that it is. In this way, he is always judging something which is, but judges one thing in place of another; and having missed the thing which was the object of his consideration, he might fairly be called one who judges falsely” (189c). False judgment then is not concerned with what-is-not, but with interchanging one of the things-which-are with some other of the things-which-are, for example beautiful with ugly, just with unjust, odd with even, and cow with horse. The absurdity of this substitution is reinforced by Socrates’ definition of judgment as the final stage of the mind’s conversing with itself. How is it possible, then, for one to conclude one’s silent, internal dialogue with the preposterous equation of two mutually exclusive attributes, and actually to say to oneself, “an odd number is even,” or “oddness is evenness”?

The next attempt at explaining false judgment invokes the mental acts of remembering and forgetting and the ways in which they are implicated in perceptual events. Imagine the mind as a wax block, Socrates asks Theaetetus, on which we stamp what we perceive or conceive. Whatever is impressed upon the wax we remember and know, so long as the image remains in the wax; whatever is obliterated or cannot be impressed, we forget and do not know (191d-e). False judgment consists in matching the perception to the wrong imprint, e.g., seeing at a distance two men, both of whom we know, we may, in fitting the perceptions to the memory imprints, transpose them; or we may match the sight of a man we know to the memory imprint of another man we know, when we only perceive one of them. Theaetetus accepts this model enthusiastically but Socrates dismisses it because it leaves open the possibility of confusing unperceived concepts, such as numbers. One may wrongly think that 7+5 = 11, and since 7+5 = 12, this amounts to thinking that 12 is 11. Thus arithmetical errors call for the positing of a more comprehensive theoretical account of false judgment.

Socrates’ next explanatory model, the aviary, is meant to address this particular kind of error. What Aristotle later called a distinction between potentiality and actuality becomes the conceptual foundation of this model. Socrates invites us to think of the mind as an aviary full of birds of all sorts. The owner possesses them, in the sense that he has the ability to enter the aviary and catch them, but does not have them, unless he literally has them in his hands. The birds are pieces of knowledge, to hand them over to someone else is to teach, to stock the aviary is to learn, to catch a particular bird is to remember a thing once learned and thus potentially known. The possibility of false judgment emerges when one enters the aviary in order to catch, say, a pigeon but instead catches, say, a ring-dove. To use an arithmetical example, one who has learned the numbers knows, in the sense that he possesses the knowledge of, both 11 and 12. If, when asked what is 7+5, one replies 11, one has hunted in one’s memory for 12 but has activated instead one’s knowledge of 11. Although the aviary’s distinction between potential and actual knowledge improves our understanding of the nature of episteme, it is soon rejected by Socrates on the grounds that it explains false judgment as “the interchange of pieces of knowledge” (199c). Even if one, following Theaetetus’ suggestion, were willing to place in the aviary not only pieces of knowledge but also pieces of ignorance—thereby making false judgment be the apprehension of a piece of ignorance—the question of false judgment would not be answered satisfactorily; for in that case, as Socrates says, the man who catches a piece of ignorance would still believe that he has caught a piece of knowledge, and therefore would behave as if he knew. To go back to the arithmetical example mentioned earlier, Theaetetus suggests that the mistaking of 11 for 12 happens because the man making the judgment mistakes a piece of ignorance for a piece of knowledge but acts as if he has activated his capacity for knowing. The problem is, as Socrates says, that we would need to posit another aviary to explain how the judgment-maker mistakes a piece of ignorance for a piece of knowledge.

Socrates attributes their failure to explain false judgment to their attempting to do so before they have settled the question of the nature of knowledge. Theaetetus repeats his definition of knowledge as true judgment but Socrates rejects it by means of the following argument: suppose, he says, the members of a jury are “justly persuaded of some matter, which only an eye-witness could know and which cannot otherwise be known; suppose they come to their decision upon hearsay, forming a true judgment. Hence, they have decided the case without knowledge, but, granted they did their job well, they were correctly persuaded” (201b-c). This argument shows that forming a true opinion about something by means of persuasion is different from knowing it by an appeal to the only method by means of which it can be known—in this case by seeing it—and thus knowledge and true judgment cannot be the same. After the failure of this attempt, Socrates and Theaetetus proceed to their last attempt to define knowledge.

d. Knowledge as True Judgment with Logos (201c – 210d)

Theaetetus remembers having heard that knowledge is true judgment accompanied by Logos (account), adding that only that which has Logos can be known. Since Theaetetus remembers no more, Socrates decides to help by offering a relevant theory that he once heard.

According to the Dream Theory (201d-206b), the world is composed of complexes and their elements. Complexes have Logos, while elements have none, but can only be named. It is not even possible to say of an element that “it is” or “it is not,” because adding Being or non-Being to it would be tantamount to making it a complex. Elements cannot be accounted for or known, but are perceptible. Complexes, on the contrary, can be known because one can have a true belief about them and give an account of them, which is “essentially a complex of names” (202b).

After Theaetetus concedes that this is the theory he has in mind, he and Socrates proceed to examine it. In order to pinpoint the first problematic feature of the theory, Socrates uses the example of letters and syllables: the Logos of the syllable “so” – the first syllable of Socrates’ name – is “s and o”; but one cannot give a similar Logos of the syllable’s elements, namely of “s” and “o,” since they are mere noises. In that case, Socrates wonders, how can a complex of unknowable elements be itself knowable? For if the complex is simply the sum of its elements, then the knowledge of it is predicated on knowledge of its elements, which is impossible; if, on the other hand, the complex is a “single form” produced out of the collocation of its elements, it will still be an indefinable simple. The only reasonable thing to say then is that the elements are much more clearly known than the complexes.

Now, turning to the fourth definition of knowledge as true judgment accompanied by Logos, Socrates wishes to examine the meaning of the term Logos, and comes up with three possible definitions. First, giving an account of something is “making one’s thought apparent vocally by means of words and verbal expressions” (206c). The problem with this definition is that Logos becomes “a thing that everyone is able to do more or less readily,” unless one is deaf or dumb, so that anyone with a true opinion would have knowledge as well. Secondly, to give an account of a thing is to enumerate all its elements (207a). Hesiod said that a wagon contains a hundred timbers. If asked what a wagon is, the average person will most probably say, “wheels, axle, body, rails, yoke.” But that would be ridiculous, Socrates says, because it would be the same as giving the syllables of a name to someone’s asking for an account of it. The ability to do that does not preclude the possibility that a person identifies now correctly and now incorrectly the elements of the same syllable in different contexts. Finally, giving an account is defined as “being able to tell some mark by which the object you are asked about differs from all other things” (208c). As an example, Socrates uses the definition of the sun as the brightest of the heavenly bodies that circle the earth. But here again, the definition of knowledge as true judgment with Logos is not immune to criticism. For if someone, who is asked to tell what distinguishes, say, Theaetetus, a man of whom he has a correct judgment, from all other things, were to say that he is a man, and has a nose, mouth, eyes, and so on, his account would not help to distinguish Theaetetus from all other men. But if he had not already in his mind the means of differentiating Theaetetus from everyone else, he could not judge correctly who Theaetetus was and could not recognize him the next time he saw him. So to add Logos in this sense to true judgment is meaningless, because Logos is already part of true judgment, and so cannot itself be a guarantee of knowledge. To say that Logos is knowledge of the difference does not solve the problem, since the definition of knowledge as “true judgment plus knowledge of the difference” begs the question of what knowledge is.

The definition of knowledge as “true judgment plus Logos” cannot be sustained on any of the three interpretations of the term Logos. Theaetetus has nothing else to say, and the dialogue ends inconclusively. Its achievement, according to Socrates, has been to rid Theaetetus of several false beliefs so that “if ever in the future [he] should attempt to conceive or should succeed in conceiving other theories, they will be better ones as the result of this enquiry” (210b–c).

Despite its failure to produce a viable definition of knowledge, the Theaetetus has exerted considerable influence on modern philosophical thought. Socrates’ blurring of the distinction between sanity and madness in his examination of knowledge as perception was picked up in the first of Descartes’Meditations (1641); echoes of Protagorean Relativism have appeared in important works of modern philosophy, such as Quine’s Ontological Relativity and Other Essays (1969) and Kuhn’s The Structure of Scientific Revolutions (1970); In Siris: A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tar-Water (1744), Bishop Berkeley thought that the dialogue anticipated the central tenets of his own theory of knowledge; in Studies in Humanism (1907), the English pragmatist F.C.S. Schiller saw in the section 166a ff. the pragmatist account of truth, first expounded and then condemned; and L. Wittgenstein, in Philosophical Investigations (1953), found in the passage 201d–202b the seed of his Logical Atomism, espoused also by Russell, and found it reminiscent of certain theses of his Tractatus Logico-Philosophicus.

4. References and Further Reading

a. General Commentaries

  • Bostock, D. Plato’s Theaetetus. Oxford, 1988.
  • Burnyeat, M. F. The Theaetetus of Plato. Trans. M.J. Levett. Indianapolis and Cambridge, 1990.
  • Campbell, L. The Theaetetus of Plato. 2nd Ed. Oxford, 1883.
  • Cornford, F. M. Plato’s Theory of Knowledge. The Theaetetus and the Sophist of Plato. Trans. F. M. Cornford. London, 1935.
  • McDowell, J. Plato: Theaetetus. Trans. J. McDowell. Oxford, 1973.
  • Polansky, R. Philosophy and Knowledge: A Commentary on Plato’s Theaetetus. Lewisburg, 1992.
  • Sedley, D. N. The Midwife of Platonism: Text and Subtext in Plato’s Theaetetus. Oxford, 2004.

b. Knowledge as Arts and Sciences

  • Burnyeat, M. F. “The Philosophical Sense of Theaetetus’ Mathematics.” Isis 69 (1978). 489–513.
  • Burnyeat, M. F. “Socratic Midwifery, Platonic Inspiration.” Bulletin of the Institute of the Classical Studies 24 (1977). 7–16.
  • Santas, G. “The Socratic Fallacy.” Journal of the History of Philosophy 10 (1972). 127–41.

c. Knowledge as Perception

  • Bolton, R. “Plato’s Distinction between Being and Becoming.” Review of Metaphysics 29 (1975/6). 66–95.
  • Burnyeat, M. F. “Protagoras and Self Refutation in Plato’s Theaetetus.” Philosophical Review 85 (1976). 172–95.
  • Burnyeat, M. F. “Plato on the Grammar of Perceiving.” Classical Quarterly 26 (1976). 29–51.
  • Burnyeat, M.F. “Idealism and Greek Philosophy: What Descartes Saw and Berkeley Missed.”Philosophical Review 90 (1982). 3–40.
  • Cole, A. T. “The Apology of Protagoras.” Yale Classical Studies 19 (1966). 101–18.
  • Cooper, J. M. “Plato on Sense Perception and Knowledge: Theaetetus 184 to 186.” Phronesis 15 (1970). 123–46.
  • Lee, E.N. “Hoist with His Own Petard: Ironic and Comic Elements in Plato’s Critique of Protagoras (Tht. 161–171),” in E.N. Lee and A.P.D. Mourelatos (eds.) Exegesis and Argument: Studies in Greek Philosophy Presented to Gregory. Vlastos. Assen, 1973. 225–61.
  • Matthen, M. “Perception, Relativism, and Truth: Reflections on Plato’s Theaetetus 152 – 160.”Dialogue 24 (1985). 33–58.
  • McCabe, M.M. Plato and his Predecessors: The Dramatisation of Reason. Cambridge, 2000.
  • Modrak, D.K. “Perception and Judgment in the Theaetetus.” Phronesis 26 (1981). 35–54.
  • Rowe, C.J. et al. “Knowledge, Perception, and Memory: Theaetetus 166B.” Classical Quarterly 32 (1982). 304–6.
  • Silverman, A. “Flux and Language in the Theaetetus.” Oxford Studies in Ancient Philosophy 18 (2000). 109–52.
  • Waterlow, S. “Protagoras and Inconsistency.” Archiv für Geschichte der Philosophie 59 (1977). 19–36.

d. Knowledge as True Judgment

  • Ackrill, J. “Plato on False Belief: Theaetetus 187–200.” Monist 50 (1966). 383–402.
  • Burnyeat, M.F. and J. Barnes, “Socrates and the Jury: Paradoxes in Plato’s Distinction Between Knowledge and True Belief.” Aristotelian Society Supplementary Volume 54 (1980). 173-91 and 193–206.
  • Denyer, N. Language, Thought and Falsehood in Ancient Greek Philosophy. London, 1991.
  • Lewis, F.A. “Foul Play in Plato’s Aviary: Theaetetus 195Bff,” in E.N. Lee and A.P.D. Mourelatos (eds.)Exegesis and Argument: Studies in Greek Philosophy Presented to Gregory. Vlastos. Assen, 1973. 262–84.
  • G.B. Matthews, G.B. “A Puzzle in Plato: Theaetetus 189b–190e,” in David F. Austin (ed.) Philosophical Analysis: A Defense by Example. Dordrecht, 1988. 3–15.
  • Rudebusch, G. “Plato on Sense and Reference.” Mind 104 (1985). 526–37.
  • C.F.J. Williams, C.F.J. “Referential Opacity and False Belief in the Theaetetus.” Philosophical Quarterly 22 (1972). 289-302.

e. Knowledge as True Judgment with Logos

  • Annas, J. “Knowledge and Language: The Theaetetus and the Cratylus,” in Malcolm Schofield and Martha C. Nussbaum (eds.) Language and Logos: Studies in Ancient Greek Philosophy presented to G.E.L. Owen. Cambridge, 1982. 95–114.
  • Fine, G.J. “Knowledge and Logos in the Theaetetus.” Philosophical Review 88 (1979). 366–97.
  • Gallop, D. “Plato and the Alphabet.” Philosophical Review 72 (1963). 364–76.
  • Morrow, G.R. ”Plato and the Mathematicians: An Interpretation of Socrates’ Dream in theTheaetetus.” Philosophical Review 79 (1970). 309–33.
  • Ryle, G. “Letters and Syllables in Plato.” Philosophical Review 69 (1960). 431–51.

Author Information

Zina Giannopoulou
Email: zgiannop@uci.edu
University of California, Irvine

Last updated: July 30, 2005 | Originally published: July/30/2005

Categories: Ancient PhilosophyEpistemology

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Apocalyptic Defined

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Apocalyptic Defined




Before engaging in some of the literary comparisons, it is first necessary to attempt to understand the current usage of the terms apocalyptic,apocalypticism, and apocalypse. These three terms have often been confused. The latter two are nouns and the former is an adjective, though very often it is [mis]used as a noun. The term apocalypse is a term (noun) that identifies the type of genre the literature is. Apocalypticism is the religious ideology and/or the social construct that lies behind a given apocalypse. Apocalyptic is an adjective that describes not only the type of genre the body of writing is, but also conveys a particular way of viewing life1. In short, it is a hermeneutical method applied to the contemporary life of the authors2

J. J. Collins, as a part of the Society of Biblical Literature's 1970s commission to systematically analyze apocalyptic literature of both Jewish and Christian origins, cites the resulting collaborative definition: 

    An apocalypse is a genre of revelatory literature with a narrative framework in which a revelation is mediated by an otherworldly being to a human recipient, disclosing a transcendent reality which is both temporal, insofar as it envisages eschatological salvation, and spatial, insofar as it involves another, supernatural world.3
The chart below breaks down this definition into its three component parts, thereby allowing for what this presentation will highlight as the significant contribution of such a definition. 

Chart 1A: SBL's Definition of Apocalyptic (1970)



As the chart reveals, there are essentially three component parts to the SBL's 1970s apocalyptic definition. The component parts have been labeled as the packaging component, the delivery component, and the contents component. There are problems with this definition as well as helpful aspects. These will be pointed out progressively in the following material. 

Virtually everyone in the scholarly field of New Testament studies recognizes the difficulty of defining exactly what apocalyptic is. Stone captures the reality of the difficulty with this statement: 

    It must be stated at the outset that a great deal of the current discussion of apocalypticism and of the apocalypses is being carried on in the midst of a semantic confusion of the first order. The confusion turns on the relationship of apocalypticism (also called apocalyptic) and the apocalypses. 4
Later, in a footnote, Stone illustrates how scholars are grappling for some clarity on this issue, but making little, if any, progress. He laments the lack of help in this area from four authors who have recently written on the subject. These authors have specifically drawn attention to the problem, but none of them (in his opinion) have contributed any new insight that would provide greater clarity.5 

There does seem to be a little bit of consistency developing in recent scholarship, however. The older definitions tended to be more descriptive, pointing out various features that seemed to be predominant within the apocalypses.6 Leon Morris, for instance, lists at least thirteen characteristics of apocalyptic.7 Klaus Koch sets out to provide a "preliminary definition" of apocalyptic in a chapter devoted specifically to that, but never really accomplishes his goal. His chapter on this preliminary definition has four subheadings: (1) the cloudiness of current definitions; (2) apocalypse as a literary type; (3) apocalypse as a historical movement; and (4) apocalyptic in the literature of late antiquity.8 There are many valuable observations that Koch makes in this chapter, but the definition seems to elude him. The closest he comes to a definition is that which he states on page 20: 

    During the last century a collective term 'apocalyptic' has come into general use, side by side with the generic name apocalypse. It is applied not only to the common mental and spiritual background of the relevant late Israelite and early Christian writings but is used to characterize a certain kind of religious speculation about the future of man and the world. The meaning of the adjective apocalyptic... is generally determined by this collective term.9
Thus, Koch somewhat defines apocalyptic as a "religious speculation about the future of man and the world." 

The newer definitions of apocalyptic, though still mostly descriptive, tend to reduce the number of characteristic lists by highlighting the major universal characteristics such as "dualism and eschatology, or at least a revelation of heavenly mysteries."10 It appears that recent scholarship is becoming less rigid about defining apocalyptic merely in terms of literary form and is also factoring in the ideology contemporary with the apocalyptic writings. Kreitzer cites Rowland as an example of this. Although Rowland would give a central place to literary form for definitive purposes, he suggests that in addition to literary form, there must ever be "conformity to a common mode of religious experience which is expressed through that form."11 

A further development in recent scholarship is that proposed by Paul Hanson wherein he argues against a rigid genre distinction in favor of a gradual emergence of apocalyptic out of Israelite prophetic history (which will be explored more fully in the following section of material). This conviction is evident in the very title of his book, The Dawn of Apocalyptic12 [For a critical review of this book, click here: Review of Hanson'sDawn of Apocalyptic]. The answer to the confusion surrounding apocalyptic lies in historical investigation, he believes. Rather than define "apocalyptic," instead, he uses it as an adjective to the term "eschatology" and then defines the qualified term. His definition of "apocalyptic eschatology" is: 

    a religious perspective which focuses on the disclosure (usually esoteric in nature) to the elect of the cosmic vision of Yahweh's sovereignty-especially as it relates to his acting to deliver his faithful-which disclosure the visionaries have largely ceased to translate into the terms of plain history, real politics, and human instrumentality due to a pessimistic view of reality growing out of the bleak post-exilic conditions within which those associated with the visionaries found themselves. Those conditions seemed unsuitable to them as a context for the envisioned restoration of Yahweh's people.13
Using the same basic chart format as with the SBL's definition, Hanson's definition would look like the chart below [See Chart 1B]. Notice several differences between the SBL definition and Hanson's definition. First, Hanson does not stipulate about packaging. The SBL definition stipulates a narrative packaging of the material. It is true that the majority of apocalyptic works during the Second Temple Period are narrative accounts, but there are exceptions. Sibylline Oracles are in poetic form (epic hexameters, usually)14 and many would include them as examples of apocalyptic literature. They share many of the same features as apocalypses. Yet, since they are given the name "oracle," should they not be classified according to that genre (viz. oracle)? This observation may underscore Hanson's point. Perhaps "apocalyptic" should be used as an adjective and should primarily convey some notion of revelation (from the term apokalypsis, which means "a disclosure," "a revealing of something," or simply, "a revelation."). In such a case, the Sibylline Oracles should be a qualified genre and be sub-classified as "apocalyptic oracles" much like Hanson has designated a qualified classification of "apocalyptic eschatology." 

A second difference to be noticed between the two definitions is the delivery. Hanson's definition recognizes only that a visionary will receive revelatory disclosure, but the agent of the revelation is not stipulated. Perhaps the need for a heavenly agent is understood from the nature of revelation. 

Chart 1B: Hanson's Definition of Apocalyptic Eschatology



Finally, there is a greater emphasis in Hanson's definition on the mental outlook of the recipients of the revelation than is so in the SBL definition. The pessimism highlighted in Hanson's definition reflects a mood of the day and hints at the ideological disappointment of the contemporaries to the visionary. The visionary discloses in esoteric terms that Yahweh will have his day and will intervene for the faithful elect. 

The upshot of all of this regarding terminology is that though there is great confusion over the use and definition of terms, there are some things that have apparently solidified in scholarship by way of approaching and treating this unique literature. The first is that there are certain distinctive characteristics of apocalyptic literature, though it is not necessary for every feature to be present in a given work in order for it to maintain its classification as an apocalypse. Second, it is more than genre-related, but it is also literature that represents a social phenomenon. It is literature born out of crisis and was a means of addressing that crisis to a religious community. Many have observed this to be the case. Kreitzer summarizes it succinctly, when he says, "Apocalypticism is frequently defined as a social movement which arises out of a context of persecution in which a minority group within society feels alienated and seeks to express their hopes for the future in terms of an alternative symbolic universe."15 Third, (combining the ideas of the first two observations) it is literature that is hermeneutical by nature and seeks to interpret revelatory material in the face of social circumstances. In other words, Judaism, in the midst of political and social upheaval sought for an avenue (first observation) to express their questions and perplexities (second observation) that such calamity presented to their theology (third observation). Table 1 (below) summarizes these points in bullet fashion. 

Table 1: Summary of Apocalyptic Denominators16





1J. Julius Scott, Jr. Jewish Backgrounds of the New Testament. (Grand Rapids: Baker, 2000): 182. 

2Ibid., 189. 

3J. J. Collins, "Apocalyptic Literature," Dictionary of New Testament Backgrounds, eds. Craig A. Evans and Stanley Porter (Downers Grove, IL: InterVarsity Press, 2000): 41. 

4Michael E. Stone, "Lists of Revealed Things in the Apocalyptic Literature," in Magnalia Dei: The Mighty Acts of God. Essays on the Bible and Archaeology in Memory of G. Ernest Wright, eds. Frank Moore Cross, Werner E. Lemke, and Patrick D. Miller, Jr. (Garden City, NY: Doubleday, 1976): 439. 

5Ibid., 450. The authors he cites are Ebling, Betz, Von Rad, and Koch. 

6Scott, p. 182. 

7 Leon Morris, Apocalyptic (London: InterVarsity Press, 1972): 34-67. In fairness to Morris, he himself explicitly states that his book was "meant as a summary of the characteristics of apocalyptic" (cf. Preface to the Second Edition, n.p.). I found no place where he sought to define the term apocalyptic. The thirteen characteristics he lists are the following: revelations, symbolism, pessimism, the shaking of the foundations, the triumph of God, determinism, dualism, pseudonymity, a literary form, rewritten history, ethical teaching, prediction, and historical perspective. 

8Klaus Koch, The Rediscovery of Apocalyptic (London: SCM Press 1972): 18-35. 

9Ibid, p. 20. 

10Scott, p. 183. 

11Larry J. Kreitzer, "Apocalyptic, Apocalypticism," in Dictionary of the Later New Testament and Its Developments, eds. Ralph Martin and Peter Davids (Downers Grove, IL: InterVarsity Press, 1997): 58. 

12Paul Hanson, The Dawn of Apocalyptic: The Historical and Sociological Roots of Jewish Apocalyptic Eschatology (Philadelphia: Fortress Press, 1975, revised edition 1979): 16. 

13Ibid., pp. 12-13. 

14Cf. J. J. Collins, "Sibylline Oracles," in Dictionary of New Testament Background, eds. Craig A. Evans and Stanley Porter (Downers Grove, IL: InterVarsity Press, 2000): 1107. 

15Kreitzer, 58-59. Kreitzer is careful to take a middle ground approach between apocalypticism being a social movement or a social ideology. He suggests that in order for there to be a social movement, there has to be an ideology behind the movement that is driving it. So he seeks a balance between the two. E. P. Sanders, on the other hand, argues against apocalypticism as a social movement-or at least against the possibility of demonstrating the same simply through the literary evidence. His basic argument is that a survey of the ancient literature reveals a single author in ancient times had variegated interests and wrote accordingly. He does not believe there is evidence to state that Jews of the Second Temple period had to choose between apocalypticism and worship in the temple. Cf. E. P. Sanders, Judaism: Practice and Belief 63 BCE-66 CE (London: SCM Press, 1992): 7-10. 

16This summary table is not to suggest that these are the only denominators of apocalyptic literature. Rather, it is intended to be a beginning point primarily for the purposes of this presentation.

Back to Apocalyptic Index 

Back to Apocalyptic and the NT Home Page

This page is provided by Roger DePriest, M.A., Ph.D. student, as part of the "Apocalyptic and the New Testament" site project.

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